#Avid carbon price pro
From input, to the HDX DSPs, and into Pro Tools, the entire gain structure works at 32-bit precision, providing more headroom without any signal degradation.Ĭlocking is also a critical part of the design. Our converters have four ADCs per channel, providing 126 dB of dynamic range. The front panel provides comprehensive metering and quick access to volume adjustments, as well as a Dim button for quick volume attenuation.Ĭarbon was designed from the ground up with the recording musician in mind and we haven’t cut any corners when it comes to sound quality. AD/DA conversion is capped at 192kHz / 32-bit. Through a combination of fast Ethernet connectivity and 8 on-board HDX DSP units, AVID claims sub-millisecond latency monitoring and real-time processing of AAX DSP plug-ins. Note that it is possible to connect Carbon to a Thunderbolt 3 port as well, using an Ethernet-to-Thunderbolt adapter. It’s a hybrid audio production system that features incredible sound quality and combines the power of your native CPU with onboard HDX DSP acceleration. This way, other DAWs can access the interface in place of Pro Tools. Currency in USD 23.40 -0.14 (-0.59) At close: 04:00PM EDT 23.40 0.00 (0.00) After hours: 05:00PM EDT Stock chart is not. Avid Pro Tools Carbon is a new breed of audio interface. Word Clock input and Word Clock output on BNC connectorsĬomputer connection is facilitated via the Ethernet ports, using the AVB protocol and Core Audio driver.With HDX DSP acceleration under its hood. 16 ADAT inputs and 16 ADAT outputs on 4 optical connectors AVID Pro Tools Carbon Audio Interface / Production System Or Rent For 80.54 per week Create without constraint.8 line inputs and 8 line outputs on DB25 connectors.2 instrument inputs with Variable Z impedance adjustment.8 mic/line/instrument inputs on combo jacks with Variable Z (impedance adjustment) available for inputs 5 to 8.Carbon now brings that workflow to every Pro Tools user with the Pro Tools Hybrid Engine. With the Hybrid Engine, the mixer is running natively but at any time you can switch tracks from Native Mode to DSP Mode to enable low latency recording and monitoring without having to leave the Pro Tools application. One of the benefits of the flagship Pro Tools HDX system has always been that you have both power and low-latency on-demand because the HDX DSP chips are dedicated to the task of processing audio. The bottom line is that you want the performer to experience the immediacy that you would get with analogue recording.īut in any native system, lowering the latency comes at a price: the lower the latency, the less processing power you have for your mixes. Carbon addresses the main issue facing the recording musician: latency. Anyone who wants to record live musicians using a Digital Audio Workstation must deal with the latency that is inherent in the digital recording process.
0 kommentar(er)
